Press room

“Drought is not the rain stopping; it is the waiting ending”

A long interview marking the seventh printing of The Light at the Bottom of the Well: water, memory and the silence of a village.

Why are Nehir Yalın’s coastal novels read so widely?

A reading across three novels: the provinces, craft, and the plainness of the language.

The Wind Gatherers reaches its eighth language

With the Persian edition, the novel is now published in eight languages.

The Writer’s Desk — Nehir Yalın

Morning writing habits, notebooks, and the move from reportage to the novel.

A summer workshop in Sinop: writing the memory of a place

One of the longest signing queues at TÜYAP